There are heroes. There are superheroes. And, then there's Hancock. With great power comes great responsibility--everyone knows that. Everyone, that is, but Hancock. Edgy, conflicted and sarcastic, Hancock's well-intentioned heroics might get the job done and save countless lives, but they always seem to leave jaw-dropping damage in their wake. And, the good citizens of Los Angeles have finally had enough. Hancock isn't the kind of man who cares what other people think--until the day that he saves the life of PR executive Ray Embrey, and the sardonic superhero begins to realize that he may have a vulnerable side after all. Facing that will be an impossible task.

Bud Johnson is an apathetic, beer slinging, lovable loser, who is coasting through a life that has passed him by--except for the one bright spot in his mundane existence, his precocious, over achieving 12-year old daughter, Molly. She takes care of them both, until one mischievous moment on election day, when she accidentally sets off a chain of events which culminates in the presidential election coming down to one vote, her dad's. Suddenly, Bud Johnson, the nobody, becomes a very important and special somebody when the world realizes that his vote will be the one that elects the next President of the United States of America.

The mother of two rambunctious young boys is barely holding things together while her husband’s National Guard unit is off fighting in Iraq. Desperate for some help, she lets her husband's brother, Salman move in and act as make-shift nanny. But his parenting skills are lacking and soon all hell breaks loose. In order to keep the family afloat, Salman takes a job as a corporate mascot, spending his days baking in the heat of a ridiculous giant blue costume. However, the suit’s anonymity offers him a fresh start and surprising new opportunities to keep the family together.

"The Rape of Europa" is a documentary about Adolf Hitler, Hermann Göring and the Nazi's large-scale theft of European art--and the Allies effort to preserve and return it. In a journey through seven countries, the chronicle takes the audience into the violent whirlwind of fanaticism, greed, and warfare that threatened to wipe out the artistic heritage of Europe. For twelve long years, the Nazis looted and destroyed art on a scale unprecedented in history. But young art professionals, as well as ordinary heroes, from truck drivers to department store clerks, fought back with an extraordinary effort to safeguard, rescue and return the millions of lost, hidden and stolen treasures.

"Chris & Don: A Love Story" is the true-life story of the passionate three-decade relationship between British writer Christopher Isherwood and American portrait painter Don Bachardy, thirty years his junior. From Isherwood's Kit-Kat-Club years in Weimar-era Germany (the inspiration for his most famous work) to the couple's first meeting on the sun-kissed beaches of 1950s Malibu, their against-all-odds saga is brought to dazzling life by a treasure trove of multimedia. Bachardy's contemporary reminiscences artfully interact with archival footage, rare home, reenactments, and, most sweetly, whimsical animations based on the cat-and-horse cartoons the pair used in their personal correspondence. With Isherwood's status as an out-and-proud gay maverick, and Bachardy's eventual artistic triumph away from the considerable shadow of his life partner, the film is above all a joyful celebration of a most extraordinary couple.

A Man Named Pearl tells the inspiring story of self-taught topiary artist Pearl Fryar. It is a subtle and intriguing film that is certain to open hearts and minds. It offers an upbeat message that speaks to respect for both self and others, and shows what one person can achieve when he allows himself to share the full expression of his humanity.

 A reconstruction of the discovery of the White House link with the Watergate affair by two young reporters from the Washington Post.

 Howard Beale, the dean of newscasters at the United Television Network, is put out to pasture because he too old. Network executive Max Schumacher, Howard's best friend, is forced to deliver the bad news. Beale can't stomach the idea of losing his 25-year post as anchorman simply because of age, so in his next broadcast he announces to the viewers that he's going to commit suicide on his final program. What he doesn't count on is a media blitz surrounding his circumstance.